Yahoo – AFP,
Deborah Cole, 14 February 2016
Berlin (AFP) - Three-time Oscar winner Meryl Streep told young actors at the Berlin film festival Sunday that Hollywood would never resolve the diversity row until studio boardrooms became less white and male.
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| US actress Meryl Streep is president of the jury at this year's Berlinale film festival (AFP Photo/John MacDougall) |
Berlin (AFP) - Three-time Oscar winner Meryl Streep told young actors at the Berlin film festival Sunday that Hollywood would never resolve the diversity row until studio boardrooms became less white and male.
Giving a
masterclass for 300 budding actors from around the world at the cinema
showcase, where Streep is serving as jury president, the most acclaimed US film
actress of her generation was asked whether sexism and racism in show business
had waned over her four-decade career.
"I
think it's moving in a very positive direction. I think you have to make noise
to have room at the table, for people to move aside and let you pull your chair
up to the conversation," she said.
"But
in our industry it will always depend on diversity in the boardroom. So all the
talk about the lower levels of endeavour -- if the decisions are only made by
one group of people whose tastes will decide which kinds of films are made,
then only certain kinds of films will be made."
Streep
lamented that it was hard to get "40 to 50-year-old white males to be
interested in stories about their first wives or their mothers".
"They
don't feel invested in this journey and yet younger men are and that's
good," she said.
The movie
industry is embroiled in a bitter debate about unequal pay between the sexes
and a shut-out for non-white actors in the main acting nominations for this
month's Academy Awards, for a second year in a row.
'Hags and
witches'
Streep, 66,
landed in hot water on the opening day of the Berlin festival when she was
asked whether she felt qualified to judge Middle Eastern films and responded by
emphasising human beings' common origins.
"I've
played a lot of different people from a lot of different cultures and the thing
that I notice is that there is a core of humanity that travels right through
every culture," she said.
"And
after all we're all from Africa originally. You know, we're all Berliners,
we're all Africans really."
Critics
using a #wereallafricans hashtag on Twitter called the comment tone-deaf, while
others defended her as trying to call for greater inclusion.
Streep said
Sunday she had been surprised by her career's longevity, expecting sexism to
thwart her much earlier on.
"I
always thought my career was over starting at 38 years of age," Streep
said.
"In
those days I had no reason to think that I would work past 40. You could work
to 40 and then you start playing hags and witches," she said.
"That's
one reason I didn't play a witch until 'Into the Woods' (in 2014) -- and I had
been offered many. It's that trough that women fall into when they're no longer
fertile..."
Streep
advised the acting students not to become too attached to their sex appeal if
they hoped to go the distance.
"You
can't have a long career and play a lot of different kinds of characters of all
different ages and maintain your magazine cover vanity," she said.
"It's
stupid and it's superficial and it's unartistic and who cares?" she said
to cheers from the young audience.
Rather
die than direct
Asked if
she would follow the long trail of acting colleagues from Clint Eastwood to Angelina
Jolie into directing, Streep quipped: "Some of my directors would say that
I already have," referring to her own hands-on style on set.
"But
no, I think it's two different muscles," she said.
"I'm
not that quick on my feet to be able to walk around and choose a lens and
then," she said, striking a pose.
"It is
also a, to me, much more boring job. I don't care where they put the toilets,
I'm an actress. I don't have to put on a puffy jacket at four in the morning
and location scout. I'd rather die."
Streep
joked that her late friend Mike Nichols, who directed her in several films
including "Postcards from the Edge" and "Silkwood", used to
"drill" her about how other filmmakers worked.
"I
told him it's like asking about the other boyfriends, 'Does he do it better
than I do?'," she said.
"They
are all different. It's the most interesting thing about having a long career,
seeing how many different ways there are to get a good result."

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