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| (Photo: ANP) |
It’s not
often an oversized yellow bird takes center stage in an American presidential
television debate. But with US Republican hopeful Mitt Romney potentially
putting Sesame Street’s beloved Big Bird on the chopping block, the
Twittersphere is once again driving the news as people ask: is Big Bird going
the way of that other big flightless bird--the Dodo?
It started
Wednesday night as a question in the first televised debate between the two
contenders for US President: Republican Mitt Romney and incumbent Democratic
President Barack Obama.
When asked
how he would cut federal spending, Romney said one thing he would do is stop
subsidizing US public television, or PBS, which includes the children's
television programme Sesame Street, home of Big Bird and company, in its
line-up.
“I love Big
Bird…. But I'm not going to -- I'm not going to keep on spending money on
things to borrow money from China to pay for [it]," said Romney.
The comment
immediately went viral.
Ruffled
feathers
A fake
Twitter account, @FiredBigBird, whose bio reads “Just got fired by Mitt
Romney,” has 25,000 followers as of this writing (up from 12,000 after the
debate). Tweets for Big Bird reached a high of 17,000 per minute during the
debate. "Obama killed bin Laden. Romney would put a hit on Big Bird,"
tweeted one Eli Clifton. And there’s even a new Big Bird for President Facebook
page with a reported 5,000 likes.
With so
much attention focused on the big feathered bird, we’re wondering: just how
valuable is he and his muppet friends?
“Sesame
Street is incredibly valuable, we get much more back from it than we invest in
it,” says Jessica Piotrowski, assistant professor at the University of
Amsterdam and its Centre for Research on Children, Adolescents, and the Media.
“There are thousands of research studies on Sesame Street showing that it
supports children in their literacy skills, number skills and social behavior.”
All the
more so, says Piotrowski, when those children are at an economic or social
disadvantage. “For people without other educational resources—less income, not
many books at home, less access to extra-curricular activities—the potential
power of educational TV is incredible.”
Of course
Sesame Street is just one educational TV programme on a public broadcasting
service that, like others internationally, feels the heat of the economic
crisis. But its worldwide success and longevity—it made its American debut in
1969—is virtually unprecedented.
It's a
small world
Sesame
Street is broadcast in more than 145 countries. Big Bird goes by the name of
Paco Pico in Spain, Abelardo in Mexico, Pino in the Netherlands and Da Niao in
China (where he’s billed as the cousin of America’s Big Bird). While
generations of Americans may recognise him as an 8 foot 2 inch yellow bird, the
Dutch Pino has blue feathers, while Mexico’s Abelardo is green. But whatever
his colour, his mission is the same.
“Big Bird
is emblematic of how to use an appealing method to teach, showing us that
learning can be fun,” says Piotrowski of the “loveable, memorable character.”
(Ironically, Big Bird may now be showing us that US presidential debates can be
fun, too.)
If elected
in November, Mitt Romney may want to send someone down to his colleagues at the
State Department, who were convinced enough about the value of Sesame Street to
help fund its Afghan version, Baghch-e-Simsim, in both Dari and Pashto.
Issues
about cultural imperialism aside, the show aired last year with a special
emphasis on girls’ education in a country where less than two-thirds of its children
attend primary school (and that rate is even lower for girls). The women are
veiled, the children more respectful and exercise replaces dancing to avoid
controversy.
Made in
China
Even in
China, a Mandarin version of Sesame Street is proving extremely popular. Zhima
Jie debuted in 2010 with that big loveable bird as its star in “Big Bird Looks
at the World” (he’s joined by the popular Elmo and a young tiger who loves
martial arts). The locally developed show reached more than 1,000,000 families
in its first two months of broadcast, say its producers—outperforming all the
competition.
Which makes
you wonder if contrary to having to borrow money from China to produce Sesame
Street in the United States as Romney suggests, public broadcasting’s flagship
programme could become a made in China import in a Romney-led America instead.

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